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3.2 New Versions of Noble Samurai Software: Noble Samurai, in its sole discretion, reserves the right to add additional features or functions, or to provide programming fixes, updates and upgrades to the Noble Samurai Software (collectively known as “updates”). All provisions in this Agreement apply to all such updates unless new or additional terms and conditions are expressly provided with an update. Noble Samurai may determine that an upgrade will be offered at an additional cost to You either as a further one off payment or on a subscription model.

2.4 Exclusive Ownership: Any and all IP Rights in the Noble Samurai Software, the Noble Samurai website and any Noble Samurai Promotional Materials are and shall remain the exclusive property of Noble Samurai and/or its licensors. Nothing in this Agreement intends to transfer any such IP Rights to, or to vest any such IP Rights in, You. You are only entitled to the limited use of the IP Rights granted to You in this Agreement. You will not take any action to jeopardise, limit or interfere with Noble Samurai’s IP Rights. Any unauthorised use of Noble Samurai’s IP Rights is a violation of this Agreement as well as a violation of intellectual property laws and treaties, including without limitation copyright laws and trademark laws.
I am getting a bit sick of comments like this. Use BLENDER 3D!!!!!!!! It does not crash, it is powerful and it has more features than anything that you could pay for. How many programs out there can do camera tracking? Inserting animanton into your film using camera tracking? Complex fades that interack with your own art work? Plus of course all the basics. Be sure to watch the new film coming out that is made by the Blender foundation using almost nothing but blender. It is called Tears of Steal and should be out soon! (late August 2012)
You can develop your very own motifs. You can add your very own logo designs and brand name watermarks, consist of great background pictures as well as different textures along with individualizing the font styles and colors quickly (just a few clicks of the computer mouse) to make extra professional-looking video clips as well as match your company’s/ site’s design and also look.
Cinelarra is for video producers who need more than OpenShot, and who want a native Linux professional-quality video editor that supports high-resolution audio and video, and advanced features such as hue and saturation, overlays, denoising, compression, normalization, time stretching, realtime effects, nested sequences, color balance, image flipping, text-to-movie, batch render and batch capture, compositing, and much more. Cinelarra has nice integration between audio and video, and makes it easy to control synchronization. Blender and Cinelarra work well together; create your splendid animations in Blender and then integrate them into a movie in Cinelarra.
The problem average people have with Cinelerra is that it is truly complicated and requires time spent learning about the real underpinnings of video production technology in order to use it to its full potential. But the learning is worth it. What a person learns by digging deep into the intricacies of video production will allow a deeper understanding of what is going on with even “hand-holding” software.
Ankush Das a.k.a. CEO_&[email protected](.in), is a very energetic person who always puts up an evil smile to counter any obstacle in his way. This dude is highly unpredictable and in fact, you can’t know what’s coming from him… be it his articles, generating an aura, or his personality. Here, he mostly covers stuff on the most popular mobile operating system (Android).
4.4 Indemnification: You agree to indemnify, defend and hold Noble Samurai and its affiliates harmless from and against any and all liability and costs, including reasonable legal fees incurred by such parties, in connection with or arising out of Your (a) violation or breach of any term of this Agreement or any applicable law or regulation, whether or not referenced in this Agreement, or (b) violation of any rights of any third party, or (c) use or misuse of the Noble Samurai Software.

What’s great about most Linux video editing software applications is that they tend to be free and open source, which means that anyone can peek under the hood and implement new features or fix bugs. The video editors featured in this article are loosely arranged according to their popularity, but we recommend you go through the entire list because even less popular video editors have a lot to offer.
After briefly testing all the various open-source video editors I could find easily available for fedora 13, I came to the conclusion that kdenlive was the best fit. By and large most of the editors were plain unusable for more than 5 minutes or just had too many limitations. kdenlive has its own faults, including that its documentation is not always clear and one must refer to it constantly when figuring out the UI (hint: video tutorials were so useful to understanding the docs). Essentially, I can now do almost anything I need to with kdenlive now, but I would greatly appreciate it if the devs could improve rendering time, update the dvd creation wizard to support blu-ray, and add more rendering options (for example, ogv output does not support quality levels, only bitrates). As for stability, I saw several crashes when I was first exploring features, but none since.

You’re missing the point; ‘nix has its place. Our servers run on it. My netbook runs it. My web development is done on it. Our databases run on it. But I don’t have time to “try” this bit of software or that software for video editing in the hope that it will provide the magic bullet. In any case, as I have stated elsewhere, every video editing program I have tried on linux has one or more severe failings in respect of the things I need to do. Attempts at creating robust video editing software on linux are, IMO, amateurish.
I usually edit short videos from my life like play with kids, travel and bike rides, and sometimes do software project demos and tutorials. I tried all major tools in linux for video editing. Blender seems to be the most feature rich and consistent. It allows me to handle 4k video on my oldish laptop. It always feels so good that I buy its future for 20-50 bucks time to time. See More
Paul, this is the biggest problem with getting linux accepted. “If you can’t figure it out, theres always fisher price.” that attitude makes people who are having difficulty turn back to other operating systems. Not everyone out there is a computer geek, many have no clue about terminal or how to find and install software. Windows has wizards, with Linux, sometimes you need to be a wizard. So lighten-up and remember that people will judge linux by the people they meet. Be an ambassador for the movement, not an ass.
Preview very slow (need to create a proxy 25% the scale and also resize the render output and even then it's often still slow) Doing a zoom (pan/scan) requires hacks https://blender.stackexchange.com/questions/42094 Transitions are fully manual Playback speed adjustments are very manual especially if you want to keep them in sync with the audio. .... See More
You’re missing the point; ‘nix has its place. Our servers run on it. My netbook runs it. My web development is done on it. Our databases run on it. But I don’t have time to “try” this bit of software or that software for video editing in the hope that it will provide the magic bullet. In any case, as I have stated elsewhere, every video editing program I have tried on linux has one or more severe failings in respect of the things I need to do. Attempts at creating robust video editing software on linux are, IMO, amateurish.
What’s great about most Linux video editing software applications is that they tend to be free and open source, which means that anyone can peek under the hood and implement new features or fix bugs. The video editors featured in this article are loosely arranged according to their popularity, but we recommend you go through the entire list because even less popular video editors have a lot to offer.
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