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Even though Olive is in the early stages of development (version 0.1.0 Alpha at the time of writing this article), some users are already using it to produce content on a regular basis, and its developers are making rapid progress, which is evident from their activity on GitHub. Hopefully, they’ll be able to keep up the current pace and give all Linux users the video editor they deserve.
Using Linux does not mean that you can’t have high-quality software on your system. Apart from the video mentioned above editors, there are tons of other software available in the market for Linux. Some of them are aimed at professionals (just like Lightworks, DaVinci Resolve, and Blender), while others cater to the requirements of beginners (similar to Shotcut and VidCutter). Moreover, you will also be able to easily download and install video editors on your Linux system, as most of them are already available on the app store.
So, there you have it. After using these many video editing software on Linux, no doubt things are improving fastly. Now which video editing software you want to use depends on your specific type of videos you edit. If you just want to throw a small home video of your cat together, I suggest you use Pitivi, and if you really want to go at it, try Kdenlive. Either way, you should be just fine. But, to answer the real question, which is, “Which is the best video editing software for Linux?”, I would probably have to say Kdenlive, overall. Pitivi is great Linux video editor – really great – but Kdenlive is a little better. It has great features, and its stability is increasing with every release.
The only criticism I might have for Kdenlive is that it looks like an open source program. It isn’t the most user-friendly application to work with and appears to have been programmed by someone who knows what they are doing but expects you to also know what they are doing. It isn’t the most polished experience, and some things seem to be a bit obtuse to do.
Ankush Das a.k.a. CEO_&[email protected](.in), is a very energetic person who always puts up an evil smile to counter any obstacle in his way. This dude is highly unpredictable and in fact, you can’t know what’s coming from him… be it his articles, generating an aura, or his personality. Here, he mostly covers stuff on the most popular mobile operating system (Android).
Introducing Lightworks, it’s a commercial video editing suite for Linux, Mac and Windows. It’s a non-linear tool with a completely different approach to editing video. Instead of a simple GTK or Qt window that is manipulated by the desktop environment (and themed by it too), the app offers up a full screen editing environment. Lightworks isn’t free. In fact, unlike the other apps on this list it actually requires a monthly subscription to use but it’s worth it if you want to edit and produce video on Linux.
This video editor has the ability to move things in the visual space straight in the viewer panel compared to the others where you need to change some value of x or y to scale or move things in your composition. This might not matter much in many cases but if you have a lot of elements moving or scaling throughout your scene, this is the fastest and a much more intuitive method than having to adjust the scale/position values of individual axes separately. This again is a big reason why I prefer an alpha (a damn good alpha) version of this software than a stable release of Kdenlive. See More

Pitivi is a Non linear video editor and also open source software that freely available. For intuitive video editing this software is designed. It supports simple features i.e. snapping, trimming, splitting, and clips cutting. Pitivi curves system supports audio mixing feature. It has the ability to use the keyboard shortcuts and scrubbers. In this video and audio can be linked together and this is a great advantage of it. It is the first open source video editor that support the MEF- material exchange format. Pritivi's user friendly interface gives drag and drop, direct manipulation, reducing complexity and native theme navigation. This software can be translated into several languages. It has also a user manual support.
This video editor has the ability to move things in the visual space straight in the viewer panel compared to the others where you need to change some value of x or y to scale or move things in your composition. This might not matter much in many cases but if you have a lot of elements moving or scaling throughout your scene, this is the fastest and a much more intuitive method than having to adjust the scale/position values of individual axes separately. This again is a big reason why I prefer an alpha (a damn good alpha) version of this software than a stable release of Kdenlive. See More
Do all this in a basic newly opened blender session. Then click save as default. Then when you open a new blend you will always have these presets select. If you do this mid work in some blend you are working that blend will become your default (almost never what you want to do). You might also want to skim through the addons. Blender has a lot of power that comes turned off by default but nothing much for film editor.
Preview very slow (need to create a proxy 25% the scale and also resize the render output and even then it's often still slow) Doing a zoom (pan/scan) requires hacks https://blender.stackexchange.com/questions/42094 Transitions are fully manual Playback speed adjustments are very manual especially if you want to keep them in sync with the audio. .... See More

This video editing software offers customizable layout support, a clip list, a multi-track timeline, automatic backup, keyframe special effects, and transitions. Are you using any unique file format or camcorder? Not a problem — Kdenlive supports almost everything available. It should also be mentioned Kdenlive supports Mac OSX and FreeBSD as well. Another important feature is the Proxy editing. This cool feature can automatically create low-resolution copies of your source clips to allow light-weight editing, and then render using full resolution.
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