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Ankush Das a.k.a. CEO_&[email protected](.in), is a very energetic person who always puts up an evil smile to counter any obstacle in his way. This dude is highly unpredictable and in fact, you can’t know what’s coming from him… be it his articles, generating an aura, or his personality. Here, he mostly covers stuff on the most popular mobile operating system (Android).
Gnome peep started this tendency of oversimplification. Some times you do want features. Some times you do want what you call “bloated”. ‘Less is more’ doesn’t mean less is actually more, it means “Do more with less”. It is annoying as hell when programs start to remove stuff that you actually use because they try to follow this blind tendency towards nihilism ad absurdum.
The Cinelerra entry needs updating. Not only does the provided install link not work, the separate branch GG Infinity supports 8 Linux distros and provides instructions to auto-update every month (see https://www.cinelerra-gg.org/downloads/). If the different branches are confusing, visit https://en.wikipedia.org/wiki/Cinelerra which will clarify it.
This is an editor specialized on DV files. All other kinds of video are converted to DV, using a lot of time. I tried to import an m2ts of about 130 MB and it tooks more than 5 minutes. Just imagine how much time you would need with GB files… Not to mention the doubled (or more) disk space. After that, it jups to the end of the clip, exactly like Cinelerra. Unusable for me.
Pitivi is a non-linear video editor for Linux with “a beautiful and intuitive user interface”. Unlike a lot of other video editors on Linux, the Pitivi editor takes into account that users all have different skill-sets when it comes to working on video projects. As a result, it gives the user many different ways of manipulating the project timeline via different timeline views.

OK, as what we use in our office, bearing in mind that we need to do rapid editing and splicing of 1080p video from two fixed point cameras, we use http://www.womble.com/ DVD Wizard. The cameras (yes two) get plugged in, the files are dropped on the time lines and within seconds we can start editing. Moving through the files, editing and splicing, is fluid and quick. Rendering the final product is, of course dependent on format as you’d expect but we tend to batch our work and let the jobs run overnight.

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