Cinelerra *had* the most promise and it’s probably good if you want to run a TV station. However, it’s not creative at all. Simple edits are easy. However, anything else can become a stunt. IMO, Kdenlive has seen the quickest growth. Lives is also doing well. In the next few years we may see those apps grow into the free alternative of Finalcut – but not Cinelerra. It does what it does, and there is no need to change.
That was the first video editing software package I bought for making home movies. It was easy to use, intuitive even, although some bits were a bit clunky. After making 20 or so coasters, it turned out to be near impossible to burn DVDs. Going online I discovered that burning DVDs was a common problem that upgrading wouldn’t help so I bought Vegas. Since my goal is primarily making home movies for distribution to a far flung computer illiterate family (and that isn’t even just the octegenarians) this is important.
Thankfully, you can get Content Samurai at a 25% discount off its normal price. (This link will send you directly to the checkout page.) So, instead of its retail price of $47, you’ll only pay $35, saving you $12 a month forever (again, for as long as you keep your monthly subscription after clicking on the previous link and taking advantage of this discount deal).
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The point is, I make some of my income from editing video files. They are an important part of our business’s value adding strategies. So I don’t have time to experiment. I need something that works and is easy for our staff to master. Windows and Mac software does and, like most businesses, we’re happy to pay the price so that we can get on with the job. BTW, the package we’re using costs less than $100.00 per seat, has easy to understand configuration and user settings, is easy to master, makes editing, cutting, dubbing a doddle. It also batches files for rendering (from the GUI). it is reliable and robust, comes with excellent support and the authors have been quick to respond to requests for new features. It is also written to actually run in a multitasking environment so we can do other things when video files are being rendered. Linux authors, take note.
People who dislike Linux usually say that it’s not great for professional, high quality video production and as a result the industry ignores it and doesn’t take it seriously. This isn’t entirely true. It is very much a fact that Apple Computer will never release Final Cut Pro for Ubuntu, and Adobe will never make a FlatPak version of Premiere, but it doesn’t matter. Some commercial, professional video editing tools do find their way onto Linux.
Coming from a film editing background I *know* how to edit, it’s just the tools I need to master. It should not be that hard. What’s finally pushed me over the edge is that the windows codec is broken (I have the worst lemon version of XP you can imagine) so that I can’t even see the images for the thousands of hours of video I have recorded with my Canon camera in the premium video editing software available for Windows But I can’t replace the codec because Windows thinks it works, so it won’t reinstall. Which is too bad because I slaved to learn that bloody commercial editing software that cost a bomb and got quite good at it. But intuitive? No way, Pierre.
The developers of the Pitivi editor believe that a video editor should be flexible, and efficient. Users can choose from simple views, to a complex mode that allows experienced users to make finer edits to their project. Users get access to “hundreds of animated effects, transitions and filters”, great looking audio waveforms in the project timeline, and a timeline that supports lots of different video and audio codecs.
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