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After experiencing various crashes (on Ubuntu 9.04) with Avidemux, LiVES, and Kino, I switched to Cinelerracv. I had avoided switching becasue it was a bit intimidating at first. Then I discovered the tutorials atAkirad, and with some effort, have mastered its capabilities. Combined with FFMPEG (and a neat little GUIfor it called WinFF) and Audacity for specialized audio work, I have a suite that can do whatever I want and produce it in whatever format I desire. Thanks for the reviews. They provide a great path for investigation…
You can develop your very own motifs. You can add your very own logo designs and brand name watermarks, consist of great background pictures as well as different textures along with individualizing the font styles and colors quickly (just a few clicks of the computer mouse) to make extra professional-looking video clips as well as match your company’s/ site’s design and also look.
Coming from a film editing background I *know* how to edit, it’s just the tools I need to master. It should not be that hard. What’s finally pushed me over the edge is that the windows codec is broken (I have the worst lemon version of XP you can imagine) so that I can’t even see the images for the thousands of hours of video I have recorded with my Canon camera in the premium video editing software available for Windows But I can’t replace the codec because Windows thinks it works, so it won’t reinstall. Which is too bad because I slaved to learn that bloody commercial editing software that cost a bomb and got quite good at it. But intuitive? No way, Pierre.

With this editor, users will get numerous titles and transitions, support for most video and image formats. You also get a fantastic export feature that lets you export files in various formats. As previously mentioned, the software caters to the demands of novice learners; expert users need not be disappointed; it provides support for professional video formats such as 4K.

first time comments,been using linux now for about 3 years and boy have i learned a lot.mostly into making movies and iam always looking for better and easier software.self taught,trial and error but hard knocks teaches us how to help ourselves and others.not throwing any stones,about the easiest program is ubuntu,set-up with devede,google chrome,vlc,k3b,k9 copy,deluge,ktorrent,transmission,and so far have bee n able to do everything i need to do.always trying to better myself so iam going to try cinnelera.good luck to all. s sparkey


When working a film convert it from movie format to a bunch of stills (you can render it so. I think andrew has a video on this). Make sure to do this in a unique directory because you get about 24 pics per second. The format for these pics should be png or if you want to do a lot of composting then OpenExr is the way to go but the files are bigger and might slow down and older machine. Think of it this way. PNG has 0-255 for each color of each pixel, whole numbers only. Try multiplying that by .1 and then by 1000 a few times and see what you get. The other system uses floating point math for each dot and that keeps it high quality. PNG works but don’t expect much in the way of high quality compositing.
first time comments,been using linux now for about 3 years and boy have i learned a lot.mostly into making movies and iam always looking for better and easier software.self taught,trial and error but hard knocks teaches us how to help ourselves and others.not throwing any stones,about the easiest program is ubuntu,set-up with devede,google chrome,vlc,k3b,k9 copy,deluge,ktorrent,transmission,and so far have bee n able to do everything i need to do.always trying to better myself so iam going to try cinnelera.good luck to all. s sparkey

This video editor has the ability to move things in the visual space straight in the viewer panel compared to the others where you need to change some value of x or y to scale or move things in your composition. This might not matter much in many cases but if you have a lot of elements moving or scaling throughout your scene, this is the fastest and a much more intuitive method than having to adjust the scale/position values of individual axes separately. This again is a big reason why I prefer an alpha (a damn good alpha) version of this software than a stable release of Kdenlive. See More

The developers have also added some high-quality video and audio filters and effects aimed at professionals. Unfortunately, this software is not entirely free as it comes in two versions: Lightworks Free and Lightworks Pro. The difference between them is that the latter supports different video formats, while the former does not. Lightworks is available for Windows and Mac OSX as well.
Kdenlive is an intuitive and powerful multi-track video editor, including most recent video technologies. Kdenlive supports all of the formats supported by FFmpeg (such as QuickTime, AVI, WMV, MPEG, and Flash Video), and also supports 4:3 and 16:9 aspect ratios for both PAL, NTSC and various HD standards, including HDV. Video can also be exported to DV devices, or written to a DVD with chapters and a simple menu. Kdenlive packages are freely available for GNU/Linux, FreeBSD and Mac OS X under the terms of GNU General Public License version 2 or any version later.
Do all this in a basic newly opened blender session. Then click save as default. Then when you open a new blend you will always have these presets select. If you do this mid work in some blend you are working that blend will become your default (almost never what you want to do). You might also want to skim through the addons. Blender has a lot of power that comes turned off by default but nothing much for film editor.
Latest version of Vivia was launched in 2008. This highly user friendly free video editor is not only made for Linux but is also appropraite for windows. The Vivia is an easy to handle video editor which is free for both personal as well as commercial purpose. Vivia ensures easy and simple non linear editings and real time transitions on a friendly interface. It also supports multi camera feature on which clips obtained simultaneously from different cameras can also be edited.

A non-linear editing system (NLE) is a video editing (NLVE) or audio editing (NLAE) system which can provide editing method for video clips or frams. You will be able to access any frame in a video clip. Non-linear editing is done for film and television post-production. However, the cost of editing system gone down and non-linear editing tools (including software) are now within the reach of most home users.
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A non-linear editing system (NLE) is a video editing (NLVE) or audio editing (NLAE) system which can provide editing method for video clips or frams. You will be able to access any frame in a video clip. Non-linear editing is done for film and television post-production. However, the cost of editing system gone down and non-linear editing tools (including software) are now within the reach of most home users.
Preview very slow (need to create a proxy 25% the scale and also resize the render output and even then it's often still slow) Doing a zoom (pan/scan) requires hacks https://blender.stackexchange.com/questions/42094 Transitions are fully manual Playback speed adjustments are very manual especially if you want to keep them in sync with the audio. .... See More
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The latest version of DaVinci Resolve features a dual timeline that allows users to quickly navigate the whole edit and trim without zooming and scrolling. There’s also a brand-new video editing engine that leverages machine learning to enable features such as facial recognition, speed warp, and others. All in all, DaVinci Resolve shows just how far Linux video editors have come over the years.
Pitivi is a non-linear video editor for Linux with “a beautiful and intuitive user interface”. Unlike a lot of other video editors on Linux, the Pitivi editor takes into account that users all have different skill-sets when it comes to working on video projects. As a result, it gives the user many different ways of manipulating the project timeline via different timeline views.
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