6.1 No Warranties: The Noble Samurai Software is provided “as is” with no warranties whatsoever. Noble Samurai does not, either expressed, implied or statutory, make any warranties, claims or representations with respect to the Noble Samurai Software, including without limitation, warranties or conditions of quality, performance, non-infringement, merchantability, or fitness for use for a particular purpose. In addition, Noble Samurai does not represent or warrant that the Noble Samurai Software will always be available, accessible, uninterrupted, timely, secure, accurate, complete and error-free nor does Noble Samurai warrant any connection to or transmission from the internet.
I am getting a bit sick of comments like this. Use BLENDER 3D!!!!!!!! It does not crash, it is powerful and it has more features than anything that you could pay for. How many programs out there can do camera tracking? Inserting animanton into your film using camera tracking? Complex fades that interack with your own art work? Plus of course all the basics. Be sure to watch the new film coming out that is made by the Blender foundation using almost nothing but blender. It is called Tears of Steal and should be out soon! (late August 2012)
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6.5 Jurisdiction’s Limitations: As some jurisdictions do not allow certain exclusions or limitations by statutory instrument, the liability will be limited to the extent possible within the applicable legislation. To the fullest extent permitted by law, Noble Samurai’s liability for breach of any implied warranty or condition which cannot be excluded or limited is limited to the amount paid by you to Noble Samurai for the Noble Samurai Software out of which liability arose.
The point is, I make some of my income from editing video files. They are an important part of our business’s value adding strategies. So I don’t have time to experiment. I need something that works and is easy for our staff to master. Windows and Mac software does and, like most businesses, we’re happy to pay the price so that we can get on with the job. BTW, the package we’re using costs less than $100.00 per seat, has easy to understand configuration and user settings, is easy to master, makes editing, cutting, dubbing a doddle. It also batches files for rendering (from the GUI). it is reliable and robust, comes with excellent support and the authors have been quick to respond to requests for new features. It is also written to actually run in a multitasking environment so we can do other things when video files are being rendered. Linux authors, take note.
This is an editor specialized on DV files. All other kinds of video are converted to DV, using a lot of time. I tried to import an m2ts of about 130 MB and it tooks more than 5 minutes. Just imagine how much time you would need with GB files… Not to mention the doubled (or more) disk space. After that, it jups to the end of the clip, exactly like Cinelerra. Unusable for me.
When working a film convert it from movie format to a bunch of stills (you can render it so. I think andrew has a video on this). Make sure to do this in a unique directory because you get about 24 pics per second. The format for these pics should be png or if you want to do a lot of composting then OpenExr is the way to go but the files are bigger and might slow down and older machine. Think of it this way. PNG has 0-255 for each color of each pixel, whole numbers only. Try multiplying that by .1 and then by 1000 a few times and see what you get. The other system uses floating point math for each dot and that keeps it high quality. PNG works but don’t expect much in the way of high quality compositing.

Right now there is one really serious competitor coming out with it’s brand new open source non linear video editing product. I am talking about Lightworks` Oscar winnig Editshare which has been released open source last year. Feel free to discover their website http://www.lightworksbeta.com/ and tons of professional features it has. Yes this is not intended for video editing noobies but this is going to become a really brilliant piece of software for Lin/Mac/Win. Right now only Win version is accessible but:

Feature wise, Cinelerra looks to be the best fit if you want to do anything serious, and that’s a problem, because it falls apart when doing anything serious thanks to a seriously bug ridden code base. I mean it! This thing is such a race-condition fest, it can’t even open its own project files on my system without crashing! (Start project, add clip, save it, try to load it … freeze!)
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Davinci Resove is another non open source video editor for linux, like Lightworks. It used to be a very excellent color grading software, and now, it's a great video editor as well. You can do all the basic editing and some of the advanced editing on the free version (multi-camera editing, 3D editing, motion blur effects, and spatial noise reduction, etc are only available on the paid version)

I’ve used video editing software in Windows, and there is *nothing* intuitive about it. All of the software programs I’ve used are so loaded with DRM that trying to burn your home movies to DVD is a an adventure, often in futility. One of the commercial “home use” software package I bought was fairly intuitive, but the DRM made it incapable of burning DVDs. My prime reason for wanting to be able to video edit is so I can put together home movie compilations for all the computer illiterates and senior citizens in my family. They watch movies on TV and can just about handle popping a DVD in. I’m tired of having some of my homemade DVDs work in Dad’s machine, but then refusing to play in my sister’s.

If I was willing to continue using commercial ransomeware, what I would be doing right about now would be switching to Apple, because apple video editing does everything you need and it works. Every time over the last few years I’ve asked anyone who has made their own professional looking video what software they used, the answer is ALWAYS Apple. I know somebody who mailed all of his original home movies (we’re talking film here) to Europe so a relative using Apple could make them into DVDs. But Apple’s too busy turning into big brother for my liking, so if I have to start over, I’m migrating to Linux. There is no point in struggling to learn something new and even get good at it only to have control of your work wrested from you by corporate controls.
Pierre and Megan, you’ve been trolling these comments for two full years, now. I can see, after carefully reading all of the commentary and the thought behind each of them, that you both are only here to troll and discourage. Neither of you have offered any real concrete proof of anything, and you’ve used smoke and mirrors to try to defend merely what are empty opinions. After two full years of trolling this particular page it’s about time you both got told to get a life.
OpenShot is a cross platform video editor that is “simple and powerful”. It’s built specifically for the YouTube generation or, anyone looking to make simple videos by cutting things together and adding a few effects here and there. By no means is it on the same level as something like Final Cut, or Premiere, or even Kdenlive. Instead, think of OpenShot like Linux’s iMovie.

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Not exactly going to be a long term con. The official website clearly states the same, which is why this piece of software should not be used for important projects. Then again it is so damn good that Olive editor is right now my primary editor for most projects. The fact that there is NO stable version of this software does bother a bit as it's ability to handle complex projects is almost unpredictable. But all said and done, it's still not crashed on me even once. Even though an alpha, the best damn alpha release ever. See More
Far from the “it just works” dream, this program just does not work. I have a relatively fast i7 laptop with plenty of RAM, but OpenShot slowed my entire system to a crawl as soon as I started to edit some video. Firefox became unresponsive and OpenShot crashed or at least appeared to do so since a crash report window opened but OpenShot did not close.
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