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With this editor, users will get numerous titles and transitions, support for most video and image formats. You also get a fantastic export feature that lets you export files in various formats. As previously mentioned, the software caters to the demands of novice learners; expert users need not be disappointed; it provides support for professional video formats such as 4K.

If I was willing to continue using commercial ransomeware, what I would be doing right about now would be switching to Apple, because apple video editing does everything you need and it works. Every time over the last few years I’ve asked anyone who has made their own professional looking video what software they used, the answer is ALWAYS Apple. I know somebody who mailed all of his original home movies (we’re talking film here) to Europe so a relative using Apple could make them into DVDs. But Apple’s too busy turning into big brother for my liking, so if I have to start over, I’m migrating to Linux. There is no point in struggling to learn something new and even get good at it only to have control of your work wrested from you by corporate controls.


Pierre, did you not see the mention of Blender??? It is GREAT for doing video. Yes, you do have to learn it but you want to do a good job right?? One thing to note. It is best in blender to turn the movie into a series of stills in the openEXR format. It is also important to go into settings and increase the buffer memory so that you get a much faster response as it loads much more movie at one time. Make sure to render the firm into its own director or you will have a LOT of picture files cluttering some other directory! Also more Ram mean better responsiveness and having a SSD drive is also a GREAT benefit. I would think this is true of any system.
3.1 No Warranties: Using Content Samurai assists You to rapidly convert written content into videos. As part of this software, Noble Samurai facilitates access to images found in Google and Flickr with a Creative Common License. In order to ensure You comply with the Creative Common License terms, Noble Samurai will take reasonable measures to provide the attribution details available for the image chosen which should then be included by You in Your video description or blogpost. Noble Samurai cannot guarantee nor provides any warranties that the attribution details provided are accurate nor that the images available within Content Samurai software are able to be used under Creative Common License. In addition, Noble Samurai cannot guarantee that You will be able to access data, information or services from or upload to any third party nor that any data, information or services from any third party can be obtained or uploaded to without disruptions or delays. Noble Samurai cannot make any guarantees or warranties as to the effectiveness or reliability of any services provided by a third party, or the reliability and the performance of or the suitability of the information provided by the Noble Samurai Software.

After experiencing various crashes (on Ubuntu 9.04) with Avidemux, LiVES, and Kino, I switched to Cinelerracv. I had avoided switching becasue it was a bit intimidating at first. Then I discovered the tutorials atAkirad, and with some effort, have mastered its capabilities. Combined with FFMPEG (and a neat little GUIfor it called WinFF) and Audacity for specialized audio work, I have a suite that can do whatever I want and produce it in whatever format I desire. Thanks for the reviews. They provide a great path for investigation…


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6.5 Jurisdiction’s Limitations: As some jurisdictions do not allow certain exclusions or limitations by statutory instrument, the liability will be limited to the extent possible within the applicable legislation. To the fullest extent permitted by law, Noble Samurai’s liability for breach of any implied warranty or condition which cannot be excluded or limited is limited to the amount paid by you to Noble Samurai for the Noble Samurai Software out of which liability arose.
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Pitivi could be described as the Linux alternative to Windows Movie Maker. Both video editors have a clear user interface that doesn’t present its users with a steep learning curve, and both are intended to help regular people express themselves through videomaking. Of course, Windows Movie Maker is no longer in development, whereas Pitivi is developed by a fantastic community of people who believe in open source software.
Shotcut is another free, open-source, and cross-platform video editor. Unlike Kdenlive, novice video editors will be able to get a full-fledged experience with Shotcut as it is rather easy to use. It comes with a wide range of features, including native timeline editing, video transitions and filters, and a multitrack timeline. It supports keyframes for filter parameters and 3-point editing. If you quickly need to delete the audio from a video clip, Shotcut gets it done.
Latest version of Vivia was launched in 2008. This highly user friendly free video editor is not only made for Linux but is also appropraite for windows. The Vivia is an easy to handle video editor which is free for both personal as well as commercial purpose. Vivia ensures easy and simple non linear editings and real time transitions on a friendly interface. It also supports multi camera feature on which clips obtained simultaneously from different cameras can also be edited.
Just like OpenShot, it is incredibly easy to learn and use this software. Flowblade gives its users the features of video transitions, watermarks, batch rendering, and drag & drop support. In addition to that, it also supports various image/audio/video formats. It also supports proxy video editing. As I already mentioned, it’s a method of editing in which original media clips are presented on a timeline by proxy clips for light-weight editing. The full resolution of the video will be used while wrapping up the project.
Cinelerra is the most advanced non-linear video editor and compositor for Linux. Cinelerra also includes a video compositing engine, allowing the user to perform common compositing operations such as keying and mattes. Cinelerra includes support for very high-fidelity audio and video: it processes audio using 64 bits of precision, and can work in both RGBA and YUVA color spaces, using floating-point and 16-bit integer representations, respectively. It is resolution and frame rate-independent, meaning that it can support video of any speed and size.
Last 5 years of my 7 years Linux experience I was regularly challenged by day-to-day video editing tasks. Main content was 720p/1080i/1080p in ts/m2ts/mp4/mov. The most useful instruments that produced a really nice results was combination of avidemux, kdenlive and VirtualDub (under Wine). As per my experience you are able to get excellent results with those tools but the problem is workflow really uncertain and not stable sometimes. Lack of features also has place. But the situation changes. Right now Kdenlive project is really nice. It has tons of features and stable enough for relatively serious editing/finishing. I am sure this won’t be too hard for any person interested to learn Kdenlive workflow. Otherwise this person is too lazy for Linux in general. You may find plenty of video lessons on ytube/vimeo.
People who dislike Linux usually say that it’s not great for professional, high quality video production and as a result the industry ignores it and doesn’t take it seriously. This isn’t entirely true.  It is very much a fact that Apple Computer will never release Final Cut Pro for Ubuntu, and Adobe will never make a FlatPak version of Premiere, but it doesn’t matter. Some commercial, professional video editing tools do find their way onto Linux.

I’ve twiddled around with a few of the programs mentioned here but they all seem horrifically counter-intuitive. That is to say, I could not figure them out. (and I have the strong motivation of a soccer team clamoring for their annual ‘best of’ movie.) Windows might be f#2%ed, but Apple is downright frightening these days. Free is more and more the only way to go.
This video editor has the ability to move things in the visual space straight in the viewer panel compared to the others where you need to change some value of x or y to scale or move things in your composition. This might not matter much in many cases but if you have a lot of elements moving or scaling throughout your scene, this is the fastest and a much more intuitive method than having to adjust the scale/position values of individual axes separately. This again is a big reason why I prefer an alpha (a damn good alpha) version of this software than a stable release of Kdenlive. See More
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